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               padding: 1px 0.25rem;                font-family: Menlo, Consolas, Monaco, monospace;                font-size: 94%;              }            </style></head><body><div class="article-container"><div class="graf--img center"><div class="lexical__imageWrapper"><picture><source type="image/avif" data-srcset="https://img.vocus.cc/f6XHrSSdQvY7FqYBVBksh0WSPDowYKc3A38LZGFxrFc/w:740/f:avif/plain/https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png"><img src="https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" data-src="https://img.vocus.cc/OX0KyAZkIqwBWj7FaKRz_N1FFVDKQQa3PxtendaJtOU/w:740/f:webp/plain/https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" data-fallback-src="https://resize-image.vocus.cc/resize?compression=6&norotation=true&url=https%3A%2F%2Fimages.vocus.cc%2F002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png&width=740&sign=onJYab7N1ksjjt-VjG5u7rjonOR6wfkWd_KP4XhNbhA" data-lowquality="false" data-width="1408" data-height="768" data-retry="0" onerror="var p=this.parentNode;if(p&&p.tagName==='PICTURE'){var ss=p.querySelectorAll('source');for(var i=0;i<ss.length;i++)p.removeChild(ss[i])}var r=Number(this.dataset.retry);if(r>=2){this.src='/static/default-error-img.svg';this.onerror=null;return}if(r===0&&this.dataset.fallbackSrc){this.src=this.dataset.fallbackSrc}else{this.src=this.dataset.originalSrc}this.dataset.retry=r+1" data-istopthreeimage="false" alt="AI生成圖"></picture></div><div class="captionTheme__wrapper"><p class="captionTheme__paragraph">AI生成圖</p></div></div><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">元豐六年十月十二日夜，解衣欲睡，月色入戶，欣然起行。念無與為樂者，遂至承天寺尋張懷民。懷民亦未寢，相與步於中庭。庭下如積水空明，水中藻、荇交橫，蓋竹柏影也。何夜無月？何處無竹柏？但少閒人如吾兩人者耳。</span></p><p class="graf--p" style="text-align: right;" dir="ltr"><span style="white-space: pre-wrap;">～～再讀蘇東坡〈記承天夜遊〉18.03.13</span></p></div></body></html>

以行動支持創作者！付費即可解鎖

贊助珍奶

文化生活

背景：從冷門配角到市場主線，算力與電力被重新定價

  小P從2008進入股市，每一個時期的投資亮點都不同，記得2009蘋果手機剛上市，當時蘋果只要在媒體上提到哪一間供應鏈，隔天股價就有驚人的表現，當時光學鏡頭非常熱門，因為手機第一次搭上鏡頭可以拍照，也造就傳統相機廠的殞落，如今手機已經全面普及，題

小P趨勢投資

算力的盡頭是電力！009819 小P量化交易者眼中的AI基建雙引擎致勝邏輯

這是一場修復文化與重建精神的儀式，觀眾不需要完全看懂《遊林驚夢：巧遇Hagay》，但你能感受心與土地團聚的渴望，也不急著在此處釐清或定義什麼，但你的在場感受，就是一條線索，關於如何找著自己的路徑、自己的聲音。

釀電影，啜一口電影的美好。

性別之外，存在面前──淺談劇作《遊林驚夢：巧遇 Hagay》

《轉轉生》（Re:INCARNATION）為奈及利亞編舞家庫德斯．奧尼奎庫與 Q 舞團創作的當代舞蹈作品，結合拉各斯街頭節奏、Afrobeat／Afrobeats、以及約魯巴宇宙觀的非線性時間，建構出關於輪迴的「誕生—死亡—重生」儀式結構。本文將從約魯巴哲學概念出發，解析其去殖民的身體政治。

詹育杰的沙龍

《轉轉生 Re:INCARNATION》：Qudus Onikeku、約魯巴哲學與 Afrobeat 的去殖民身體政治

本文分析導演巴里・柯斯基（Barrie Kosky）如何運用極簡的舞臺配置，將布萊希特（Bertolt Brecht）的「疏離效果」轉化為視覺奇觀與黑色幽默，探討《三便士歌劇》在當代劇場中的新詮釋，並藉由舞臺、燈光、服裝、音樂等多方面，分析該作如何在保留批判核心的同時，觸及觀眾的觀看位置與人性幽微。

陳沅綦的沙龍

柏林劇團《三便士歌劇》：巴里．柯斯基的經典再造，與布萊希特劇場的當代轉向

撿拾碎片

頃刻微光

寫那些醒來不太能說出口的場景，寫生活中看似無關緊要的小事，有時是一句話撞進心裡，有時是一場戲的發想。

喃喃自語

瑣碎煙火

追劇的那些心情

某部劇 x 那首歌

戲散餘溫

名相小筆記

經心隨想

閱經知津

解夢篇

記錄篇

夢境顯影

拾文10

<div class="lexical__image center"><div class="lexical__imageWrapper"><picture><source type="image/avif" srcset="https://img.vocus.cc/f6XHrSSdQvY7FqYBVBksh0WSPDowYKc3A38LZGFxrFc/w:740/f:avif/plain/https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png"><img src="https://img.vocus.cc/OX0KyAZkIqwBWj7FaKRz_N1FFVDKQQa3PxtendaJtOU/w:740/f:webp/plain/https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" fetchpriority="high" data-src="https://img.vocus.cc/OX0KyAZkIqwBWj7FaKRz_N1FFVDKQQa3PxtendaJtOU/w:740/f:webp/plain/https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" data-loaded="true" data-original-src="https://images.vocus.cc/002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png" data-fallback-src="https://resize-image.vocus.cc/resize?compression=6&amp;norotation=true&amp;url=https%3A%2F%2Fimages.vocus.cc%2F002eeee7-6ae9-4926-852f-d7a9f9c6b7e8.png&amp;width=740&amp;sign=onJYab7N1ksjjt-VjG5u7rjonOR6wfkWd_KP4XhNbhA" data-lowquality="false" data-width="1408" data-height="768" data-retry="0" onerror="var p=this.parentNode;if(p&amp;&amp;p.tagName==='PICTURE'){var ss=p.querySelectorAll('source');for(var i=0;i<ss.length;i++)p.removeChild(ss[i])}var r=Number(this.dataset.retry);if(r>=2){this.src='/static/default-error-img.svg';this.onerror=null;return}if(r===0&amp;&amp;this.dataset.fallbackSrc){this.src=this.dataset.fallbackSrc}else{this.src=this.dataset.originalSrc}this.dataset.retry=r+1" data-istopthreeimage="true" alt="AI生成圖"></picture></div><div class="captionTheme__wrapper"><p class="captionTheme__paragraph">AI生成圖</p></div></div><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">元豐六年十月十二日夜，解衣欲睡，月色入戶，欣然起行。念無與為樂者，遂至承天寺尋張懷民。懷民亦未寢，相與步於中庭。庭下如積水空明，水中藻、荇交橫，蓋竹柏影也。何夜無月？何處無竹柏？但少閒人如吾兩人者耳。</span></p><p class="lexical__paragraph" style="text-align: right;" dir="ltr"><div class="why-see-ad-placeholder"></div><div style="height: 300px; overflow: hidden;"><div id="vocus_pc_reading_content_middle"></div></div><span style="white-space: pre-wrap;">～～再讀蘇東坡〈記承天夜遊〉18.03.13</span></p>