《灰音札記》007：

音兒跟小灰灰一同上月球

結果被小螃蟹Craby和小蜥蜴CC擋在門外~



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               padding: 1px 0.25rem;                font-family: Menlo, Consolas, Monaco, monospace;                font-size: 94%;              }            </style></head><body><div class="article-container"><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">《灰音札記》007：</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">音兒跟小灰灰一同上月球</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">結果被小螃蟹Craby和小蜥蜴CC擋在門外~</span></p><div class="graf--img center"><div class="lexical__imageWrapper"><img src="https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png" data-src="https://resize-image.vocus.cc/resize?compression=6&norotation=true&url=https%3A%2F%2Fimages.vocus.cc%2F5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png&width=740&sign=JIVE8oGR0xocZKklzInpE13K-8yQD6D48ILdyMthvig" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png" data-lowquality="false" data-width="1536" data-height="1024" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; 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長期以來，西方美學以《維特魯威人》式的幾何比例定義「完美身體」，這種視覺標準無形中成為殖民擴張與種族分類的暴力工具。本文透過分析奈及利亞編舞家庫德斯．奧尼奎庫的舞作《轉轉生》，探討當代非洲舞蹈如何跳脫「標本式」的文化觀看。

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《轉轉生 Re:INCARNATION》：釋放差異的身體裂縫

若說易卜生的《玩偶之家》為 19 世紀的女性，開啟了一扇離家的窄門，那麼《海妲．蓋柏樂》展現的便是門後的窒息世界。本篇文章由劇場演員 Amily 執筆，同為熟稔文本的演員，亦是深刻體察制度縫隙的當代女性，此文所看見的不僅僅是崩壞前夕的最後發聲，更是女人被迫置於冷酷的制度之下，步步陷入無以言說的困境。

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紀錄小音兒與灰人相遇的可愛故事集

灰音札記

403 Forbidden

<p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">《灰音札記》007：</span></p><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">音兒跟小灰灰一同上月球</span></p><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">結果被小螃蟹Craby和小蜥蜴CC擋在門外~</span></p><div class="lexical__image center"><div class="lexical__imageWrapper"><picture><source type="image/avif" srcset="https://img.vocus.cc/Jb_VzHCarIGDW3_0rzDqO6pljCl6_oJPDHZoRY5A6b4/w:740/f:avif/plain/https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png"><img src="https://img.vocus.cc/qKwMMuBk7CbWpfmNlCbK9Bh1UOl7daarqJcp0XP9hhE/w:740/f:webp/plain/https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png" fetchpriority="high" data-src="https://img.vocus.cc/qKwMMuBk7CbWpfmNlCbK9Bh1UOl7daarqJcp0XP9hhE/w:740/f:webp/plain/https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png" data-loaded="true" data-original-src="https://images.vocus.cc/5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png" data-fallback-src="https://resize-image.vocus.cc/resize?compression=6&amp;norotation=true&amp;url=https%3A%2F%2Fimages.vocus.cc%2F5b0967d3-1dbf-4c7d-b6af-a01eff41ce86.png&amp;width=740&amp;sign=JIVE8oGR0xocZKklzInpE13K-8yQD6D48ILdyMthvig" data-lowquality="false" data-width="1536" data-height="1024" data-retry="0" onerror="var p=this.parentNode;if(p&amp;&amp;p.tagName==='PICTURE'){var ss=p.querySelectorAll('source');for(var i=0;i<ss.length;i++)p.removeChild(ss[i])}var r=Number(this.dataset.retry);if(r>=2){this.src='/static/default-error-img.svg';this.onerror=null;return}if(r===0&amp;&amp;this.dataset.fallbackSrc){this.src=this.dataset.fallbackSrc}else{this.src=this.dataset.originalSrc}this.dataset.retry=r+1" data-istopthreeimage="true" alt="vocus｜新世代的創作平台"></picture></div><div></div></div><p class="lexical__paragraph"><br></p>