第一隻憤怒鳥造型，剛開始練習手感還不夠熟練，還有很大的改善空間....



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               padding: 1px 0.25rem;                font-family: Menlo, Consolas, Monaco, monospace;                font-size: 94%;              }            </style></head><body><div class="article-container"><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">第一隻憤怒鳥造型，剛開始練習手感還不夠熟練，還有很大的改善空間....</span></p><div class="graf--img center"><div class="lexical__imageWrapper"><img src="https://images.vocus.cc/aca38053-9595-47b0-8dff-aabbcb24a5d2.jpg" data-src="https://resize-image.vocus.cc/resize?norotation=true&quality=80&url=https%3A%2F%2Fimages.vocus.cc%2Faca38053-9595-47b0-8dff-aabbcb24a5d2.jpg&width=740&sign=hAQncvHfjeqEE6QeRQxTKtcQvUXSHXCiu2Lx9Zqo-xg" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/aca38053-9595-47b0-8dff-aabbcb24a5d2.jpg" data-lowquality="false" data-width="4096" data-height="2304" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; this.dataset.retry = Number(this.dataset.retry)+1;})()" data-istopthreeimage="false" alt="raw-image"></div><div></div></div><div class="graf--img center"><div class="lexical__imageWrapper"><img src="https://images.vocus.cc/a8cd8e54-339f-4524-ad84-39f21a503e80.jpg" data-src="https://resize-image.vocus.cc/resize?norotation=true&quality=80&url=https%3A%2F%2Fimages.vocus.cc%2Fa8cd8e54-339f-4524-ad84-39f21a503e80.jpg&width=740&sign=P2vH0mZY0QerXwoLlsyT-IL6ZMEQ1DNC9b82C--Flzs" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/a8cd8e54-339f-4524-ad84-39f21a503e80.jpg" data-lowquality="false" data-width="4096" data-height="2304" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; 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以行動支持創作者！付費即可解鎖

贊助珍奶

創作

刮畫 禪繞刮畫

浮雕紙藝

5 月將於臺北表演藝術中心映演的「2026 北藝嚴選」《海妲・蓋柏樂》，由臺灣劇團「晃晃跨幅町」製作，本文將以從舞台符號、聲音與表演調度切入，討論海妲・蓋柏樂在父權社會結構下的困境，並結合榮格心理學與馮．法蘭茲對「阿尼姆斯」與「永恆少年」原型的分析，理解女人何以走向精神性的操控、毀滅與死亡。

黃郁書的沙龍

《海妲．蓋柏樂》：女性困境與「永恆少年」的毀滅衝動

這是一場修復文化與重建精神的儀式，觀眾不需要完全看懂《遊林驚夢：巧遇Hagay》，但你能感受心與土地團聚的渴望，也不急著在此處釐清或定義什麼，但你的在場感受，就是一條線索，關於如何找著自己的路徑、自己的聲音。

釀電影，啜一口電影的美好。

性別之外，存在面前──淺談劇作《遊林驚夢：巧遇 Hagay》

本文分析導演巴里・柯斯基（Barrie Kosky）如何運用極簡的舞臺配置，將布萊希特（Bertolt Brecht）的「疏離效果」轉化為視覺奇觀與黑色幽默，探討《三便士歌劇》在當代劇場中的新詮釋，並藉由舞臺、燈光、服裝、音樂等多方面，分析該作如何在保留批判核心的同時，觸及觀眾的觀看位置與人性幽微。

陳沅綦的沙龍

柏林劇團《三便士歌劇》：巴里．柯斯基的經典再造，與布萊希特劇場的當代轉向

背景：從冷門配角到市場主線，算力與電力被重新定價

  小P從2008進入股市，每一個時期的投資亮點都不同，記得2009蘋果手機剛上市，當時蘋果只要在媒體上提到哪一間供應鏈，隔天股價就有驚人的表現，當時光學鏡頭非常熱門，因為手機第一次搭上鏡頭可以拍照，也造就傳統相機廠的殞落，如今手機已經全面普及，題

小P趨勢投資

算力的盡頭是電力！009819 小P量化交易者眼中的AI基建雙引擎致勝邏輯

雷克斯的沙龍

紙黏土創作

<p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">第一隻憤怒鳥造型，剛開始練習手感還不夠熟練，還有很大的改善空間....</span></p><div class="lexical__image center"><div class="lexical__imageWrapper"><img src="https://img.vocus.cc/F2_KqyVc6JtN8Hpe7mooS4jJhrjmfqt5WTAwQiUbtNU/w:740/f:webp/plain/https://images.vocus.cc/aca38053-9595-47b0-8dff-aabbcb24a5d2.jpg" fetchpriority="high" data-src="https://img.vocus.cc/F2_KqyVc6JtN8Hpe7mooS4jJhrjmfqt5WTAwQiUbtNU/w:740/f:webp/plain/https://images.vocus.cc/aca38053-9595-47b0-8dff-aabbcb24a5d2.jpg" data-loaded="true" data-original-src="https://images.vocus.cc/aca38053-9595-47b0-8dff-aabbcb24a5d2.jpg" data-fallback-src="https://resize-image.vocus.cc/resize?norotation=true&amp;quality=80&amp;url=https%3A%2F%2Fimages.vocus.cc%2Faca38053-9595-47b0-8dff-aabbcb24a5d2.jpg&amp;width=740&amp;sign=hAQncvHfjeqEE6QeRQxTKtcQvUXSHXCiu2Lx9Zqo-xg" data-lowquality="false" data-width="4096" data-height="2304" data-retry="0" onerror="var 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