D2@16 May 2021 Plain Covid Diary in Taiwan

D5@19 May 2021 Plain Covid Diary in Taiwan

Taiwan raised the alert level to 3 to the whole country

2021/05/27

D5@19 May 2021 Plain Covid Diary in Taiwan

Taiwan raised the alert level to 3 to the whole country

臺灣郎的疫情日記 | 請把身邊每個人都當成確診對象。

2021/05/27

艾比謝Albee Hsieh的沙龍

從雙北升為三級警戒，全台開始停課不停學，身為媽媽的我，也近乎崩潰狀態。這週，教育部繼續宣布停課至六月十四日，全台的父母又是一陣哀號。但想到前線的長官與醫護人員們，又默默把自己小小的崩潰收起來。

#臺灣郎的疫情日記#疫情時代#COVID19後疫情時代

2021/05/27

艾比謝Albee Hsieh的沙龍

臺灣郎的疫情日記 | 請把身邊每個人都當成確診對象。

#臺灣郎的疫情日記#疫情時代#COVID19後疫情時代

2021/05/27

D4@18 May 2021 Plain Covid Diary in Taiwan

When do people who live in other countries get used to seeing the numbers of getting infected and the death toll?

#臺灣郎的疫情日記#COVID19#武漢肺炎

2021/05/27

D4@18 May 2021 Plain Covid Diary in Taiwan

When do people who live in other countries get used to seeing the numbers of getting infected and the death toll?

#臺灣郎的疫情日記#COVID19#武漢肺炎

2021/05/27

黃郁書的沙龍

《海妲．蓋柏樂》：女性困境與「永恆少年」的毀滅衝動

5 月將於臺北表演藝術中心映演的「2026 北藝嚴選」《海妲・蓋柏樂》，由臺灣劇團「晃晃跨幅町」製作，本文將以從舞台符號、聲音與表演調度切入，討論海妲・蓋柏樂在父權社會結構下的困境，並結合榮格心理學與馮．法蘭茲對「阿尼姆斯」與「永恆少年」原型的分析，理解女人何以走向精神性的操控、毀滅與死亡。

《海妲．蓋柏樂》：女性困境與「永恆少年」的毀滅衝動

2026/02/05

黃郁書的沙龍

2026/02/05

D11@25 May 2021 Plain Covid Diary in Taiwan

The government announced to continue the remote learning by 6/14 to all schools. Parents have been going crazy.

2021/05/28

D11@25 May 2021 Plain Covid Diary in Taiwan

The government announced to continue the remote learning by 6/14 to all schools. Parents have been going crazy.

2021/05/28

D2@16 May 2021 Plain Covid Diary in Taiwan

I've been struggling for three days if my daughters need to ask for personal leave to school before the schools are closed.

2021/05/25

D2@16 May 2021 Plain Covid Diary in Taiwan

I've been struggling for three days if my daughters need to ask for personal leave to school before the schools are closed.

2021/05/25

D3@17 May 2021 Plain Covid Diary in Taiwan

The local government's measures suck. Tomorrow and the day after tomorrow are two of my kids' midterm exams.

2021/05/25

D3@17 May 2021 Plain Covid Diary in Taiwan

The local government's measures suck. Tomorrow and the day after tomorrow are two of my kids' midterm exams.

性別之外，存在面前──淺談劇作《遊林驚夢：巧遇 Hagay》

2021/05/25

釀電影，啜一口電影的美好。

這是一場修復文化與重建精神的儀式，觀眾不需要完全看懂《遊林驚夢：巧遇Hagay》，但你能感受心與土地團聚的渴望，也不急著在此處釐清或定義什麼，但你的在場感受，就是一條線索，關於如何找著自己的路徑、自己的聲音。

性別之外，存在面前──淺談劇作《遊林驚夢：巧遇 Hagay》

2026/03/02

釀電影，啜一口電影的美好。

2026/03/02

D1@15 May 2021 Plain Covid Diary in TW

The number of COVID local cases drastically increased to 180 for the first time since the outbreak in Jan 2020. I can't tell how anxious I am.

#武漢肺炎#COVID19#臺灣郎的疫情日記

2021/05/25

D1@15 May 2021 Plain Covid Diary in TW

The number of COVID local cases drastically increased to 180 for the first time since the outbreak in Jan 2020. I can't tell how anxious I am.

#武漢肺炎#COVID19#臺灣郎的疫情日記

2021/05/25

陳沅綦的沙龍

柏林劇團《三便士歌劇》：巴里．柯斯基的經典再造，與布萊希特劇場的當代轉向

本文分析導演巴里・柯斯基（Barrie Kosky）如何運用極簡的舞臺配置，將布萊希特（Bertolt Brecht）的「疏離效果」轉化為視覺奇觀與黑色幽默，探討《三便士歌劇》在當代劇場中的新詮釋，並藉由舞臺、燈光、服裝、音樂等多方面，分析該作如何在保留批判核心的同時，觸及觀眾的觀看位置與人性幽微。