Supporting Diverse Learners in EMI through scaffolding

更新 發佈閱讀 15 分鐘

We recognize that "What is our biggest EMI challenge?" remains a critical question for faculty navigating the diverse needs of today's students. The session, led by an EMI advisor from Fulbright Taiwan, provided invaluable, practical strategies. As the organizers of this event, we are pleased to share this official highlights review. We aim to extend the workshop's core concepts beyond the session itself, offering a reference for the entire EMI community.

vocus|新世代的創作平台

The Mindset Shift: Preparer or Designer?

The speaker presented a sharp contrast for reflection:

  • Prep Work: This is teacher-centered. It includes tasks like writing content bullets for slides, printing worksheets, uploading files to the LMS, or reviewing the textbook. While necessary, these tasks "don't necessarily help students" learn.
  • Lesson Planning: This is student-centered. It focuses on predicting student barriers (content, language, and cultural), designing scaffolds (like sentence frames or guiding questions), planning structured interactions (like pair-shares or group work), and aligning assessments with learning goals .

To illustrate this point, the speaker engaged the audience with an interactive diagram. This visual contrasted "Prep Work" (teacher-centered) with "Lesson Planning" (student-centered), emphasizing that adopting a student-centered mindset transforms how we prepare. This ties into an "iceberg theory" analogy: while the teacher-centered prep work is visible, the deeper, student-centered design (like predicting barriers or embedding scaffolds) is often "invisible to students, but they shape the learning experiences." Simply put, prepping is about "preparing the things I will cover." Designing is about "designing the learning experience."

vocus|新世代的創作平台


Why Scaffolding is the Key to EMI

The theory behind this concept stems from the psychologist Lev Vygotsky’s "Zone of Proximal Development" (ZPD). The ZPD is the space between what a student "can do without assistance" and what they "can do with assistance." In an EMI classroom, if the professional content is too difficult or the language barrier is too high, students easily fall into the "frustration zone," leading to disengagement.

Scaffolding is the bridge that spans this gap. It is not "extra work"; it is the act of adjusting the task—such as by pre-highlighting vocabulary, providing guiding questions, or organizing group discussions—to help students stretch academically even when their language skills are still developing.

"The Four Lenses" for Planning Your EMI Lesson

So, how can we systematically design these scaffolds? The workshop introduced "The Four Lenses" as a planning checklist:

  1. Learning Goals: The core question is, "What should students be able to do by the end of this lesson?"
  2. Student Lens: The core question is, "Where might students struggle?"
  3. Scaffolding Lens: The core question is, "What supports (scaffolds) will move them into their ZPD?"
  4. Interaction Lens: The core question is, "How will students engage with content, peers, and teachers?"

Building Your EMI Scaffolding Toolbox

The speaker further categorized scaffolds into four key types. Here are a few high-impact strategies:

1. Linguistic Scaffolds

  • Goal: To reduce the language barrier so students can focus on content.
  • Strategy: Provide Sentence Starters. For example, when asking students to analyze data, provide frames like "I believe...," "The data show that...," or "One possible reason is..." to help them express academic ideas clearly .

2. Cognitive Scaffolds

  • Goal: To provide structure for complex thinking and move students step-by-step.
  • Strategy: Use Graphic Organizers. For instance, provide a "compare/contrast" or "cause-effect" table. This helps students structure their logic in English as they process information.

3. Metacognitive Scaffolds

  • Goal: To help students "think about their own thinking" (i.e., produce metacognition).
  • Strategy: Use Low-Stakes Reflection Checks. In the middle of a lesson, ask quick prompts like, "What idea is still unclear?" or "How would you explain this to a friend?" (written or spoken). This helps them monitor their own understanding and build confidence in articulating their reasoning.

4. Socio-Emotional Scaffolds

  • Goal: To create a supportive environment where students feel safe and confident to take risks using English.
  • Strategy: Use Multilingual Brainstorm, English Output. Allow students to quickly generate ideas in their L1 (first language) in small groups, and then require them to share their main ideas in English. This effectively builds both fluency and confidence.
vocus|新世代的創作平台


Putting Theory into Practice

To solidify these concepts, the workshop included a hands-on activity. Participants were given paper strips, each describing one of four different common EMI teaching scenarios. Their task was to discuss and select which specific scaffolding strategies—linguistic, cognitive, metacognitive, or socio-emotional—they would apply to support students in that particular situation, making the theoretical framework immediately practical.

Conclusion: Teaching is Designing, Not Delivering

The challenges of EMI are real, but as the speaker concluded, "Teaching is not just delivering content; it is designing conditions for learning." Scaffolding is not an "extra." It is the bridge that turns EMI into learning for all. When we scaffold well, we lower barriers, we invite every voice, and we design pathways for growth for every student, not just some.



陳玠妤 博士後研究員 (Postdoctoral Research Fellow)
雙語教育推動辦公室 (Office of Bilingual Education Initiatives)
國立臺灣科技大學 (National Taiwan University of Science and Technology)

留言
avatar-img
臺科雙語酷酷集團
3會員
14內容數
配合國家推動「2030雙語國家政策發展藍圖」,教育部自110學年度起推動大專校院學生雙語化學習計畫(簡稱BEST計畫)。臺科大於第二階段(112-114學年度)起獲重點培育學校,配合本計畫之規定成立校級專責單位。
2025/09/19
邀請到國立中央大學陳聿廣副教授來分享他在電機工程學系授課的心法和經驗。學生確實會遇到來自語言與專業知識的雙重挑戰,而教師自身的英語表達方式,甚至口音,也同樣會成為學生學習的挑戰之一,藉由肯認一切的元素,教師能更有意識地調整自己的教學設計,將這些困境轉換成教學策略與解決方式。
Thumbnail
2025/09/19
邀請到國立中央大學陳聿廣副教授來分享他在電機工程學系授課的心法和經驗。學生確實會遇到來自語言與專業知識的雙重挑戰,而教師自身的英語表達方式,甚至口音,也同樣會成為學生學習的挑戰之一,藉由肯認一切的元素,教師能更有意識地調整自己的教學設計,將這些困境轉換成教學策略與解決方式。
Thumbnail
2025/08/28
本懶人包整理自 Oxford EMI Training,歸納六大策略:語言、教學、課堂操作、提問、回饋與數位工具。五天課程設計由語言基礎、互動到思維訓練與實作,循序引導教師營造互動、高效、跨文化的 EMI 教室,提升學生理解與學習成效。
Thumbnail
2025/08/28
本懶人包整理自 Oxford EMI Training,歸納六大策略:語言、教學、課堂操作、提問、回饋與數位工具。五天課程設計由語言基礎、互動到思維訓練與實作,循序引導教師營造互動、高效、跨文化的 EMI 教室,提升學生理解與學習成效。
Thumbnail
2025/05/28
此次工作坊是與傅爾布萊特基金會(Fulbright Foundation)合作的第三場主題講座「 Assessment Applications: Using Evaluations to Inform Teaching」。
Thumbnail
2025/05/28
此次工作坊是與傅爾布萊特基金會(Fulbright Foundation)合作的第三場主題講座「 Assessment Applications: Using Evaluations to Inform Teaching」。
Thumbnail
看更多
你可能也想看
Thumbnail
引導,是教學現場中最基本也細節繁雜一個步驟,今天突如其來的試煉,讓我意識到了自己的不足,以及有夥伴支援的力量,這是一次相當珍貴的經驗!
Thumbnail
引導,是教學現場中最基本也細節繁雜一個步驟,今天突如其來的試煉,讓我意識到了自己的不足,以及有夥伴支援的力量,這是一次相當珍貴的經驗!
Thumbnail
這是一場修復文化與重建精神的儀式,觀眾不需要完全看懂《遊林驚夢:巧遇Hagay》,但你能感受心與土地團聚的渴望,也不急著在此處釐清或定義什麼,但你的在場感受,就是一條線索,關於如何找著自己的路徑、自己的聲音。
Thumbnail
這是一場修復文化與重建精神的儀式,觀眾不需要完全看懂《遊林驚夢:巧遇Hagay》,但你能感受心與土地團聚的渴望,也不急著在此處釐清或定義什麼,但你的在場感受,就是一條線索,關於如何找著自己的路徑、自己的聲音。
Thumbnail
受校方肯定的老師們齊聚交流 學期來到尾聲,德內ㄦ長期多元課輔合作學校紛紛表達對課輔老師們的肯定。這個週末我們邀請課輔老師們聚集在一起分享寶貴的教學經驗,彼此學習。 改變正在孩子身上發生 透過課輔老師的分享,我們喜悅於許多孩子的改變。曾經調皮的孩子愛上閱讀,平時躁動的孩子下課也會坐在位子上,
Thumbnail
受校方肯定的老師們齊聚交流 學期來到尾聲,德內ㄦ長期多元課輔合作學校紛紛表達對課輔老師們的肯定。這個週末我們邀請課輔老師們聚集在一起分享寶貴的教學經驗,彼此學習。 改變正在孩子身上發生 透過課輔老師的分享,我們喜悅於許多孩子的改變。曾經調皮的孩子愛上閱讀,平時躁動的孩子下課也會坐在位子上,
Thumbnail
背景:從冷門配角到市場主線,算力與電力被重新定價   小P從2008進入股市,每一個時期的投資亮點都不同,記得2009蘋果手機剛上市,當時蘋果只要在媒體上提到哪一間供應鏈,隔天股價就有驚人的表現,當時光學鏡頭非常熱門,因為手機第一次搭上鏡頭可以拍照,也造就傳統相機廠的殞落,如今手機已經全面普及,題
Thumbnail
背景:從冷門配角到市場主線,算力與電力被重新定價   小P從2008進入股市,每一個時期的投資亮點都不同,記得2009蘋果手機剛上市,當時蘋果只要在媒體上提到哪一間供應鏈,隔天股價就有驚人的表現,當時光學鏡頭非常熱門,因為手機第一次搭上鏡頭可以拍照,也造就傳統相機廠的殞落,如今手機已經全面普及,題
Thumbnail
本文分析導演巴里・柯斯基(Barrie Kosky)如何運用極簡的舞臺配置,將布萊希特(Bertolt Brecht)的「疏離效果」轉化為視覺奇觀與黑色幽默,探討《三便士歌劇》在當代劇場中的新詮釋,並藉由舞臺、燈光、服裝、音樂等多方面,分析該作如何在保留批判核心的同時,觸及觀眾的觀看位置與人性幽微。
Thumbnail
本文分析導演巴里・柯斯基(Barrie Kosky)如何運用極簡的舞臺配置,將布萊希特(Bertolt Brecht)的「疏離效果」轉化為視覺奇觀與黑色幽默,探討《三便士歌劇》在當代劇場中的新詮釋,並藉由舞臺、燈光、服裝、音樂等多方面,分析該作如何在保留批判核心的同時,觸及觀眾的觀看位置與人性幽微。
Thumbnail
108課綱上路至今五年,118課綱將在不遠的未來登場。文言文刪減、歷史主題式教學,及高教學生數理能力弱化等輿論盛行的話題,都牽涉一個核心問題:什麼知識、內容應該要被納進課綱?對學生而言重要的事情,並不僅限於傳統學科知識。
Thumbnail
108課綱上路至今五年,118課綱將在不遠的未來登場。文言文刪減、歷史主題式教學,及高教學生數理能力弱化等輿論盛行的話題,都牽涉一個核心問題:什麼知識、內容應該要被納進課綱?對學生而言重要的事情,並不僅限於傳統學科知識。
Thumbnail
文中強調國際交流活動的目及參與方式,參加交流計畫對學生學習英文和開拓視野的重要性。
Thumbnail
文中強調國際交流活動的目及參與方式,參加交流計畫對學生學習英文和開拓視野的重要性。
Thumbnail
通常,課業輔導/學習扶助的教學現場情境為1個班級10個人以內的學生,個人教導、兩人一組或三人一組為適宜,合作學習策略主要是以「精熟學習內容」為主、「引導主題探究」與「促進分享討論」為輔,增加多元的機會和可能。
Thumbnail
通常,課業輔導/學習扶助的教學現場情境為1個班級10個人以內的學生,個人教導、兩人一組或三人一組為適宜,合作學習策略主要是以「精熟學習內容」為主、「引導主題探究」與「促進分享討論」為輔,增加多元的機會和可能。
Thumbnail
本文探討創新思維在教育和企業中的應用,作者強調創新不僅需要技巧,更需要培養正確的心態。文章以創新思考藏寶圖為例,說明如何重新思考問題與答案的關係,並提出企業需要設立創新思考專員和創新顧問等新職位來推動企業創新。
Thumbnail
本文探討創新思維在教育和企業中的應用,作者強調創新不僅需要技巧,更需要培養正確的心態。文章以創新思考藏寶圖為例,說明如何重新思考問題與答案的關係,並提出企業需要設立創新思考專員和創新顧問等新職位來推動企業創新。
Thumbnail
5 月將於臺北表演藝術中心映演的「2026 北藝嚴選」《海妲・蓋柏樂》,由臺灣劇團「晃晃跨幅町」製作,本文將以從舞台符號、聲音與表演調度切入,討論海妲・蓋柏樂在父權社會結構下的困境,並結合榮格心理學與馮.法蘭茲對「阿尼姆斯」與「永恆少年」原型的分析,理解女人何以走向精神性的操控、毀滅與死亡。
Thumbnail
5 月將於臺北表演藝術中心映演的「2026 北藝嚴選」《海妲・蓋柏樂》,由臺灣劇團「晃晃跨幅町」製作,本文將以從舞台符號、聲音與表演調度切入,討論海妲・蓋柏樂在父權社會結構下的困境,並結合榮格心理學與馮.法蘭茲對「阿尼姆斯」與「永恆少年」原型的分析,理解女人何以走向精神性的操控、毀滅與死亡。
Thumbnail
英文融入延伸活動,雙語課程好好玩 長期多元課輔是德內ㄦ重要的助學項目之一。老師們會在學期間定期前往偏鄉學校,為孩子們在放學後進行閱讀教學。帶孩子閱讀後,老師會設計多元有趣的延伸活動,讓他們透過親自體驗,學習更深刻呦!有鑑於英語能力的重要性,老師們也設計了雙語課程,在有趣的活動中帶孩子們開口大聲說英
Thumbnail
英文融入延伸活動,雙語課程好好玩 長期多元課輔是德內ㄦ重要的助學項目之一。老師們會在學期間定期前往偏鄉學校,為孩子們在放學後進行閱讀教學。帶孩子閱讀後,老師會設計多元有趣的延伸活動,讓他們透過親自體驗,學習更深刻呦!有鑑於英語能力的重要性,老師們也設計了雙語課程,在有趣的活動中帶孩子們開口大聲說英
追蹤感興趣的內容從 Google News 追蹤更多 vocus 的最新精選內容追蹤 Google News